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オイディプス王はなぜ目を抉(えぐ)るのか : ギリシア劇考
https://otsuma.repo.nii.ac.jp/records/5552
https://otsuma.repo.nii.ac.jp/records/5552af9ebb81-24aa-4d92-947e-3c0bd8cad686
名前 / ファイル | ライセンス | アクション |
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KJ00005381897.pdf (1.9 MB)
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Item type | 紀要論文(ELS) / Departmental Bulletin Paper(1) | |||||
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公開日 | 2003-01-01 | |||||
タイトル | ||||||
タイトル | オイディプス王はなぜ目を抉(えぐ)るのか : ギリシア劇考 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Greek tragedy, comic and Homer | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ページ属性 | ||||||
内容記述タイプ | Other | |||||
内容記述 | P(論文) | |||||
論文名よみ | ||||||
その他のタイトル | オイディプス オウ ワ ナゼ メ オ エグルノカ ギリシアゲキコウ | |||||
著者名(日) |
大久保, 健治
× 大久保, 健治 |
|||||
著者名よみ | ||||||
識別子 | 18769 | |||||
姓名 | オオクボ, ケンジ | |||||
著者名(英) | ||||||
識別子 | 18770 | |||||
姓名 | Okubo, Kenji | |||||
言語 | en | |||||
著者所属(日) | ||||||
大妻女子大学比較文化学部 | ||||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | There has been no study that tried to show, the works of Greek tragedy and comic have common themes with each other and with two epics of Homer.Man can find in Homer twelve kinds of themes. (See about the themes in Homer my article "On the functions of the narrater in Homeric epics: Otsuma Journal of Comparative Culture 1 spring 2000) In this paper I would like to prove, by what kind of themes each of fourtyfour works extant of Greek tragic and comic writers, Aischylos Sophokles Euripides and Aristophanes are bound up with Homer. It follows from what I have shown, the Greek dramatic works succeed Homeric themes so faithfully that they are classified into twelve groups by themes. Themes, that I mean here, are similar to those, that man uses in classical music. Each of them appears in works changing over and over its form and shows itself indirectly, after all by resemblance between each other. | |||||
雑誌書誌ID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA11448895 | |||||
書誌情報 |
大妻比較文化 : 大妻女子大学比較文化学部紀要 en : Otsuma journal of comparative culture 巻 4, p. 27-51, 発行日 2003 |